This issue doesn't involve any regular characters, and although it's nominally set "now", the story is told mostly through flashbacks. Therefore, there are no real continuity issues to worry about.
Most narration in this issue is in the form of GENERAL HAMMERSTEIN's memoirs, which should be indicated on-panel by a distinctive (but mundane) typeface. The idea is that these are from his personal diaries or something like that. These captions will be marked in the script as "HAMMERSTEIN's MEMOIRS".
The story spans more than two decades, and during that time HAMMERSTEIN will age noticeably from late 30s to late 50s, losing most of hair and gaining several pounds as he goes. Other people should also age at a realistic pace.
Note that we've previously called HAMMERSTEIN simply "THE GENERAL", but in this issue we'll call him by name as there are other generals involved in the story. (In fact the man we will call THE GENERAL here is HAMMERSTEIN's superior. Confusing, or what?)
GENERAL HAMMERSTEIN (modern day, so aged late 50s) stands in full Marine Corps uniform, regarding himself in a mirror. His hat is tucked under one arm and he runs his other hand over his balding scalp. His face is serious. We don't need to see a lot of the room he's in, apart from him and the mirror, but what we do see is drab and utilitarian; a room in a military establishment.
CAPTION:
CAPTION:
VOICE (off-panel):
HAMMERSTEIN:
CAPTION (HAMMERSTEIN's memoirs):
CAPTION (HAMMERSTEIN's memoirs):
We see a younger HAMMERSTEIN -- with hair, and in a colonel's uniform -- looking in a mirror. His hat is tucked under one arm and he runs his other hand over his military-precise hair cut. This panel should look the same as the previous one; or perhaps "echo it" is a better term, as it's obviously not the same scene.
CAPTION:
CAPTION:
VOICE (off-panel):
HAMMERSTEIN:
Still in 1993, as we should be able to tell from HAMMERSTEIN's hair and uniform. He has entered another office and is saluting the man sitting behind the desk. This man is a Marine Corps general, and we'll just call him GENERAL. He has a folder in front of him, which he will occasionally peruse while talking.
GENERAL:
HAMMERSTEIN is seated. His hat is on the table in front of him.
GENERAL:
HAMMERSTEIN:
This will be a close-up on the GENERAL, who is about to deliver a huge chunk of plot exposition.
GENERAL:
HAMMERSTEIN (off-panel):
GENERAL:
GENERAL:
Close-up on HAMMERSTEIN, looking shocked. This is news to him.
HAMMERSTEIN:
GENERAL (off-panel):
HAMMERSTEIN:
Back to a view of the GENERAL. He has his document folder open and is reading something inside it.
GENERAL:
HAMMERSTEIN (off-panel):
GENERAL:
GENERAL:
Back to HAMMERSTEIN, who hasn't lost his shocked look.
HAMMERSTEIN:
A close-up on the GENERAL.
GENERAL:
GENERAL:
HAMMERSTEIN (off-panel, softly):
GENERAL:
GENERAL:
GENERAL:
The GENERAL is still statically delivering chunks of plot exposition. Oh dear.
GENERAL:
GENERAL:
Close-up on HAMMERSTEIN, who is growingly increasingly more shocked.
HAMMERSTEIN:
CAPTION (HAMMERSTEIN's memoirs):
HAMMERSTEIN:
CAPTION (HAMMERSTEIN's memoirs):
The GENERAL is speaking again. He's looking down at the papers in front of him.
GENERAL:
GENERAL:
GENERAL:
GENERAL:
The GENERAL looks HAMMERSTEIN in the eye.
GENERAL:
HAMMERSTEIN stands alone in a room with big glass windows. The room is white, functional, minimally furnished -- it's a part of a military hospital. HAMMERSTEIN is looking down through the big windows (but we don't need to include what he's looking at in this panel). He is in full uniform. He's speaking into a cordless phone -- but it's a big, chunky, 1993-technology phone, not the tiny cell phones we're used to seeing in 2014 (or 2005, for that matter).
CAPTION:
HAMMERSTEIN:
HAMMERSTEIN:
The dominant panel on the page shows the room he's looking into. It's a delivery room. The mother will be tastefully hidden from the reader's view, but we can see the father -- he's in a Marine Corps uniform (though he probably has a hospital-type gown over the top of it). The medical staff standing around are also military people (this may be obvious from their attire, I don't know). A nurse holds a baby out to the father -- and it's the baby that's the focus of this panel. It's basically... human. A perfectly normal baby boy, no hint of being half-Krai at all.
HAMMERSTEIN (off-panel):
HAMMERSTEIN is back in an office -- evidently HIS office, as he's sitting behind the desk -- talking to a man who sits on the other side of the desk. This man is DR. HENRY FRANKLYN. He's about 30, average build, glasses, brown hair in an unkempt, non-military style -- in fact, he's in civilian clothes and is obviously not a military man.
CAPTION:
FRANKLYN:
HAMMERSTEIN:
FRANKLYN:
Close-up on HAMMERSTEIN.
HAMMERSTEIN:
Close-up on FRANKLYN.
FRANKLYN:
HAMMERSTEIN (off-panel):
FRANKLYN:
HAMMERSTEIN (off-panel):
Wide view of the two of them again.
FRANKLYN:
HAMMERSTEIN:
FRANKLYN:
HAMMERSTEIN:
A completely different scene, while we continue FRANKLYN's plot exposition in voice-over captions. This one shows a young couple—a man in a Marine Corps captain's uniform, a pretty woman holding a baby—moving into a new house.
CAPTION (FRANKLYN's voice-over):
A different couple—this time the man is a colonel—watching as a boy, maybe age five or six, runs into a school yard.
CAPTION (FRANKLYN's voice-over):
Another scene. An older boy, maybe age 10 or 11, sits in a doctor's waiting room, his mother (a different woman again) next to him.
CAPTION (FRANKLYN's voice-over):
CAPTION (FRANKLYN's voice-over):
A different boy again, this one in his mid-teens. He's in a bathroom and he's holding his hand in front of his face. The nails are elongated, claw-like, and he has a look of panic on his face.
BOY:
CAPTION (FRANKLYN's voice-over):
A different boy, but similar age to the last one. He's sitting in a doctor's surgery (and probably stripped to the waist, so we can see he's got an amazing physique for a high-school student). A doctor is preparing to inject something into his arm.
CAPTION (FRANKLYN's voice-over):
Colonel HAMMERSTEIN is standing by a door, having just entered. He is saluting. We should be able to see in his face and his thinning hair that he's fifteen years older, probably around 50 now.
CAPTION:
GENERAL (off-panel):
HAMMERSTEIN is seating himself at a conference table. We can now see the other occupants of the room. At the head of the table sits the GENERAL from PAGE 2. At his right is the SPY first introduced back in ISSUE #1 PAGE 9, though a few years younger obviously. It's about time we gave him a name, so we'll call him MR SMITH. SMITH is in an anonymous black suit and wears dark glasses, his usual "man in black" look.
GENERAL:
HAMMERSTEIN:
SMITH:
Close-up on HAMMERSTEIN, whose face is carefully neutral.
HAMMERSTEIN:
GENERAL (off-panel):
Looking down the table at the GENERAL and SMITH, from HAMMERSTEIN's POV.
SMITH:
GENERAL:
SMITH:
GENERAL:
Close-up on SMITH, who wears a slight (and vaguely creepy) smile.
SMITH :
Back to a close-up of HAMMERSTEIN, who is frowning.
GENERAL (off-panel):
This scene takes place at night, in the woods, on a clear moon-lit night. It's important to emphasize the clichéd details, to show that we know and we've done it on purpose...
So, we observe, from a distance, a teenage couple parked in a secluded spot and making out in their open-topped car. He's handsome and athletic, she's beautiful, etc.
CAPTION:
CAPTION:
GIRL:
Now we'll cut to the man observing them. He's a "man in black", obviously one of SMITH's agents.
GIRL (off-panel):
BOY (off-panel):
GIRL (off-panel):
BOY (off-panel):
The girl is out of the car and backing away in horror, with one hand raised to her mouth in a typical "screaming victim" pose. MIKEY is bounding after her -- yes, you've guessed it, he's changed into wolf form. His shredded clothes hang off him in tatters.
GIRL:
BOY:
Back to the agent observing them. He is talking into a cell phone.
BOY (off-panel):
GIRL (off-panel):
AGENT:
We're back in the conference room, this time with only HAMMERSTEIN and the GENERAL present. Both men have folders and papers on the desk in front of them. We seem to have come in at the tail end of a meeting.
CAPTION:
GENERAL:
GENERAL:
HAMMERSTEIN:
The GENERAL looks down at the papers on the table.
GENERAL:
GENERAL:
HAMMERSTEIN (off-panel):
Both men are standing and shaking hands.
GENERAL:
HAMMERSTEIN:
HAMMERSTEIN is saluting.
HAMMERSTEIN:
GENERAL:
HAMMERSTEIN is walking from a building (it's probably the Pentagon but there won't be enough to identify it in this panel) towards a military staff car. He is now wearing the insignia of a one-star general A Marine stands by the car, holding the door open and saluting. HAMMERSTEIN is walking past two other high-ranking Marine Corps officers (I'll call them OFFICER #1 and OFFICER #2, to distinguish their captions). One of them is looking towards HAMMERSTEIN and calling over.
OFFICER #1:
HAMMERSTEIN:
The officers watch HAMMERSTEIN getting into the car (he's out of their earshot).
OFFICER #2:
OFFICER #1:
They watch the car drive away.
OFFICER #1:
HAMMERSTEIN is getting out of the same car. It's parked on something like a parade square in front of a big, grey, two-storey building, which could be a hospital. Several Marines (not K-MEN, ordinary enlisted men and junior officers) are lined up to greet him. It's actually far less men than you would expect a general to command, but there is obviously a good reason for that. We can also see SMITH, as well as FRANKLYN and the woman we've been calling simply THE DOCTOR since back in ISSUE 1. FRANKLYN and the DOCTOR will be wearing white lab coats. SMITH is in a black civilian suit. This will probably have to be the dominant panel on the page, to fit it all in. (Would have liked it to be a full-page splash panel, but the story pacing doesn't allow for it.)
CAPTION (voice-over, continuing OFFICER #1's speech):
On a parade ground (not the one we just saw, one on a "regular" Marine base), a company of Marines stands to attention in front of a drill sergeant. In the front rank stand several K-Men. (They have no distinguishing features, but they should be recognizable as K-Men we have seen in previous issues.) They are now aged 18 or 19, very close their "present" age.
CAPTION (HAMMERSTEIN's memoirs):
CAPTION (HAMMERSTEIN's memoirs):
Twelve Marines -- the 12 K-Men -- board a Chinook helicopter in a forested area. Other Marines are running around and we can see other helicopters and vehicles in the background.
CAPTION (HAMMERSTEIN's memoirs):
CAPTION (HAMMERSTEIN's memoirs):
A big crash scene! In a forested area, the Chinook ploughs into the ground, exploding in a huge fireball. (The panel needs to capture the crash at just the right point -- the explosion should be big enough to show us that nobody is walking away from it, but small enough for us to recognize that it's the Chinook.)
CAPTION (HAMMERSTEIN's memoirs):
A military funeral. Twelve coffins (or as many as we can comfortably fit in the panel) draped in the Stars and Stripes. Marines with rifles fire a salute into the air. Military men and civilians stand in attendance. Among the civilians we can see SAM WEAVER from ISSUE 17, as well as other K-MAN parents shown earlier in this issue (at appropriate ages).
CAPTION (HAMMERSTEIN's memoirs):
Indoors, a windowless room, and the 12 K-MEN stand to attention while HAMMERSTEIN addresses them.
HAMMERSTEIN:
HAMMERSTEIN:
Close-up on HAMMERSTEIN as he speaks.
HAMMERSTEIN:
HAMMERSTEIN:
The K-MEN gymnasium (previously seen in ISSUE 14, as well as other places). K-MEN are working out, some in human form, some in wolf form. They lift weights, run on treadmills, punch punchbags, etc. All under the watchful eyes of FRANKLYN and THE DOCTOR.
CAPTION (voice-over, continuing HAMMERSTEIN's speech):
CAPTION (voice-over, continuing HAMMERSTEIN's speech):
Central to this panel is a humanoid shape wreathed in flame -- completely immolated, blazing more brightly than any man should and still be alive. But he evidently is alive, and mobile. From his outstretched arms pour streams of fire. His targets: two K-MEN in wolf form who are diving to avoid the flames. It's not obvious (and not important) where the location is -- it may be outdoors, some kind of industrial area with high factory walls in the background, some abandoned vehicles (a couple of them on fire), a forklift, some stacks of crates, etc. We don't need to show all of this background in this panel, as the focus should be on the battle. This is the big dramatic panel on the page -- the other panels can be smaller.
CAPTION:
CAPTION:
FLAMING MAN:
SFX:
K-MAN #1:
K-MAN #2:
Two K-MEN (wolf form) are observing the battle. One (#4) has a rifle raised to his shoulder, aiming at the FLAMING MAN. It's not a standard military assault rifle -- it's more like a single-shot sniper's rifle. We can see the FLAMING MAN blasting more streams of flame at the first two K-MEN, who are still diving and rolling to avoid the attacks. We should also now see that secondary fires are burning all around the area.
K-MAN #3:
K-MAN #4:
K-MAN #3:
Close-up on the hand of K-MAN #4 squeezing the trigger.
No dialogue.
Close up on the muzzle of the rifle firing -- and we can see that the projectile isn't a bullet, it's a dart.
SFX:
Close-up on the FLAMING MAN. We can't see any features, clothing, anything like that. Just flames. But we can see the dart streaking towards his chest -- and bursting into flames, possibly even melting.
No dialogue.
One of the first pair of K-MAN (we'll call him #1) dives over some big crates as flames stream inches above him. The speech caption comes from his ear, as it's a transmission to his radio earpiece.
SFX:
RADIO:
K-MAN #1:
He crashes to the ground behind the crate, where K-MAN #2 is already crouching.
K-MAN #2:
K-MAN #1:
K-MAN #2:
Close-up on K-MAN #1, nose raised to the air.
SFX:
K-MAN #1:
SFX (off-panel):
K-MAN #2 (off-panel):
K-MAN #1 seems to be gathering himself to pounce over the crate.
K-MAN #1:
K-MAN #1:
The FLAMING MAN is blasting flame off to one side as K-MAN #1 springs over the crate and directly at him.
FLAMING MAN:
SFX:
K-MAN #1:
The FLAMING MAN is down, still blazing away, with K-MAN #1 kneeling, straddling him, flames licking at him, his head thrown back and jaws open in a wide howl of pain even as his claws slash down.
K-MAN #1:
SFX:
SFX:
A uniformed K-MAN (human form) stands rigidly to attention in HAMMERSTEIN's office. HAMMERSTEIN sits behind his desk. The K-MAN's hands are wrapped in bandages and he has a dressing on his head.
K-MAN:
HAMMERSTEIN:
K-MAN:
K-MAN:
The door is open and FRANKLYN has burst into the office.
FRANKLYN:
HAMMERSTEIN:
HAMMERSTEIN:
FRANKLYN and HAMMERSTEIN are now alone in the office.
HAMMERSTEIN:
FRANKLYN:
Close-up on HAMMERSTEIN.
HAMMERSTEIN:
HAMMERSTEIN:
HAMMERSTEIN:
FRANKLYN is leaving the office.
FRANKLYN:
FRANKLYN:
CAPTION (HAMMERSTEIN's memoirs):
HAMMERSTEIN and the female DOCTOR are consulting in the medical room that overlooks the gymnasium.
HAMMERSTEIN:
DOCTOR:
HAMMERSTEIN:
Close-up on the DOCTOR looking down through the window.
DOCTOR:
In the gym, we see a number of K-MEN in human form. Some lift weights, some are on treadmills, etc. In the foreground one particular K-MAN lies on a flat bench, pressing a bar above his chest -- or trying to. The bar is loaded with a huge amount of weight and is pressing down upon him.
CAPTION (voice-over, continuing DOCTOR's speech):
K-MAN:
Close-up view of the bench-pressing K-MAN. And he's morphed into WOLF form.
CAPTION (voice-over, continuing DOCTOR's speech):
K-MAN:
The wolf has hurled the bar, plates and all, clear across the gym, where it crashes into the wall.
K-MAN:
SFX:
CAPTION (voice-over, continuing DOCTOR's speech):
In the woods. Not just any woods -- specifically these are the woods where DON fought the K-MEN, as related back in ISSUE 17. It's daylight, with clear autumn weather. In fact, this panel shows the scene we saw back in ISSUE 18 PAGE 5, in FRED's psychic flashback. DON is here. He looks badly banged-up, as if he's already been through a tough fight (actually it was a car crash, if you recall). But his gun is in his hand and firing at a K-MAN (wolf form) who leaps at him. The bullet has struck the K-MAN squarely in the chest.
CAPTION:
CAPTION:
K-MAN:
SFX (gun):
The K-MAN, still in wolf form, lies on the forest floor. There is blood. Quite a lot of blood. No sign of DON now.
No dialogue.
HAMMERSTEIN's office. He is alone, doing some paperwork. The desk phone rings.
SFX:
HAMMERSTEIN answers the phone.
HAMMERSTEIN:
VOICE (from phone):
HAMMERSTEIN:
VOICE (from phone):
The phone is back on the cradle. HAMMERSTEIN sits with his elbow on the desk and his forehead cradled in his palm.
No dialogue.
The K-MEN barracks. It's a typical military barracks room -- long, narrow, two rows of beds, lockers, etc. Several K-MAN are here (actually 11, but there's no need to cram them all in each panel), all in human form and all in various states of dress. They are in the process of putting on full dress uniform.
CAPTION:
Same scene, same K-MEN, still dressing (now in a more advanced stage).
No dialogue.
Same scene, same K-MEN. They are finishing dressing -- adjusting caps, lacing boots, etc.
K-MAN #1:
K-MAN #2:
K-MAN #3:
K-MAN #4:
Dressed, they are lining up to leave the room. The lead soldier (K-MAN #1) is opening the door.
K-MAN #1:
In a repeat of PAGE 1 PANEL 1, HAMMERSTEIN stands regarding himself in the mirror.
CAPTION (HAMMERSTEIN's memoirs):
CAPTION (HAMMERSTEIN's memoirs):
CAPTION (HAMMERSTEIN's memoirs):
Same scene, except he's now looking sideways towards the off-panel speaker.
VOICE (off-panel):
HAMMERSTEIN:
HAMMERSTEIN exits through a door which is being held open by a saluting Marine sergeant.
CAPTION (HAMMERSTEIN's memoirs):
Small close-up on HAMMERSTEIN's face. His eyes are wide with shock.
CAPTION (HAMMERSTEIN's memoirs):
And now we see what he sees. He has come in the side door of a small hall (part of the K-MAN base, so drab military decor). Several rows of chairs have been set out in front of a small raised platform. HAMMERSTEIN's command stands to attention by their seats -- a couple of dozen Marines in dress uniform, the DOCTOR in a plain black dress, SMITH the SPY (also in black, but that should be no surprise). And occupying the front row, 11 K-MEN. In wolf form, which is indeed hard on dress uniforms.
On the raised platform: a speaker's lectern and a couple of flags (the flag of the United States, naturally, and the flag of the Marine Corps. On the wall is the Marine Corps emblem. There is probably some other military paraphernalia, but I can't think what.
No dialogue.
HAMMERSTEIN is standing at the lectern, addressing the assembly. The flags should probably be visible, flanking him, as he speaks.
HAMMERSTEIN:
HAMMERSTEIN:
HAMMERSTEIN:
HAMMERSTEIN:
HAMMERSTEIN:
HAMMERSTEIN:
HAMMERSTEIN:
Next issue: Under the Boardwalk
Copyright © 2005, 2018 by David Meadows. All rights reserved.